Y4. Lesson 9. Prepare low ti

Overview

  • Students prepare to discover a pitch a half-step below do and introduced to the symbol for a flat note.

Learning intention

By the end of this lesson, students will have:

  • Understood that there is a pitch a half step below do and a whole step above low la.
  • Discovered the flat symbol.

Success criteria

  • Students correctly identify and draw the symbol for a flat.
  • They show awareness of the new pitch between low la and do.

Prior learning: None                                      

Duration: 30 minutes

Materials: Woodblocks or claves                

Keywords: Beat, rhythm, singing, chanting, partners, rhymes, circle games.       

Difficulty: 

Prepare

low ti

Present

 

Practise

Minor seconds

Melodic development

Students add a new song to repertoire.

Hey Ho Nobody Home

  • Teach this American folk song line by line. It contains the natural minor scale.
  • The third measure has an interesting rhythm and may require some practice.
  • This song will present low ti in the following lesson.
  • This can be sung in canon with "Ah Poor Bird".

Introducing the flat symbol

  • Project the graphic showing the series of pitches in the F major pentachord.
  • Students have previously discovered that fa is a half-step from mi. 
  • To show the F pentachord on a piano, the half step is the black note between A and B.
  • This black note is called B flat. It is half a step lower than B and has a special sign written before the note on the staff.
  • When we see this sign before a note, we must lower the note's pitch by half a step.
  • Show students how to write the sign in their notebooks.
Bb on the staff

Rhythmic development

Students clap and say the rhythm of this classic English song.

Diddle Diddle Dumpling

  • Clap and say the time names for the first four measures: [tika-tika, ti-ti, ti-ti, ta, etc.]
  • The class should mirror you.
  • Repeat with the last four measures.
  • When secure, ask the class how many different time names are in the song [4] and to name them.

Creative movement

Students improvise body percussion while singing a song.

Cotton Eye Joe

  • Students are in a circle.
  • Lead the class in singing the song.
  • Demonstrate a combination of body percussion to stomp (stamp), patsch (patting the thighs with hands), clap, and click.
  • The class should sing and copy your movements.
  • Ask a volunteer to create a pattern and teach the class.
  • Repeat with other students ideas.

Listening

Students listen and investigate the do major and la minor pentatonic scales.

do and la pentatonic scales

  • Play the first track.
  • Ask the name of the instrument and which orchestral family it belongs to [bassoon/wind family].
  • Ask how many pitches are played ascending [5] and descending [5].
  • Ask if the pitches sound like a do or la pentatonic [la]. 
  • Repeat with the other three tracks.
  • This is an excellent exercise to develop aural skills.

 

Visual learning

Students discover a pitch below do.

A pitch below do

  • Project the Melody Street graphic.
  • Draw student's attention to do and the empty house below.
  • Starting at low so, ask students to recite the order of pitches moving upwards
  • Ask if there is a pitch missing between do and low la.
  • Project the keyboard graphic.
  • The traditional note names are written on some of the keys.
  • If do starts on C, there is a whole step to re and a whole step from re to mi.
  • Remind students that musicians call a whole step a major second.
  • Ask what happens when we move the other way.
  • Is there a whole step or a half step between C and B? [half step]
  • Is there a whole step or half step between B and A? [whole step].
  • Remind students that musicians called a half step a minor second.
  • The name low ti will be presented in the next lesson.

Instruments

Students 

TBA

Part work

Students sing a D minor pentachord in canon

Pentachord canon

  • Lead the class in singing a D minor pentachord and hold the last note for four beats.
  • When secure, divide the class into three groups.
  • Conduct the first group, followed by the second and third after the second and fourth beats. Students also hold the last note for four beats.
  • The player shows how this will sound on a piano.

Assess

Suggested lessons

Y1. Beat II

 

 

Y1. Beat III

 

Y1. Beat IV

 

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