Y3. Lesson 5. Traditional time names

Overview

  • Students discover traditional time names, both British and American.

Learning intention

By the end of this lesson, students will have:

  • Understood that notes have traditional time names and these may be expressed in fractions of a note as well as names.

Success criteria

  • Students demonstrate their understanding that Solfa time names have their equivalent in British and American names such as crotchets and quarter notes.

Prior learning: Solfa time names                                    

Duration: 30 minutes

Materials: Woodblocks or claves                

Keywords: Beat, rhythm, singing, chanting, partners, rhymes, circle games.       

Difficulty: 

Prepare

 

Present

Traditional British and American time names

Practise

 

British and American time names in music refer to the terminologies used to describe note durations or rhythmic values in music notation.

  1. Semibreve / Whole Note:
    • British: Semibreve
    • American: Whole note
    • Description: The longest note in common use, equivalent to four beats in 4/4 time.
  2. Minim / Half Note:
    • British: Minim
    • American: Half note
    • Description: Worth half a semibreve or two beats in 4/4 time.
  3. Crotchet / Quarter Note:
    • British: Crotchet
    • American: Quarter note
    • Description: One beat in 4/4 time, or a quarter of a semibreve.
  4. Quaver / Eighth Note:
    • British: Quaver
    • American: Eighth note
    • Description: Half a crotchet or one-eighth of a semibreve.
  5. Semiquaver / Sixteenth Note:
    • British: Semiquaver
    • American: Sixteenth note
    • Description: A quarter of a crotchet or one-sixteenth of a semibreve.

Melodic development

Students discover British and American note values.

British and American note values

  • At this juncture, it is advisable to refresh student's prior learning concerning solfa time names. 
  • The minim was known as too, the crotchet as ta, two quavers as ti-ti and a semiquaver as tika-tika.
  • Project or print the chart showing the British and American equivalent note values.
  • Explain that musicians have used traditional names for hundreds of years.
  • Teach that the longest note in music is called a semibreve, or whole note. In quadruple time it lasts for four beats.
  • The next note is half as long as a semibreve and is called the minim and lasts for two beats.
  • Half of a minim is called a crotchet, or quarter note and lasts for one beat.
  • Half of a crotchet is called a quaver, or eighth note and lasts for half a beat.
  • Finally, half of a quaver is called a semiquaver, or sixteenth note and lasts for a quarter beat.

Rhythmic development

Students revise and discover new information about notes.

Stems & flags

  • Students should know that a note can consist of a notehead, a stem and one or more flags.
  • Project the graphic showing the noteheads, stems and flags used in music.
  • Discuss with the class the different notes and their formal names.
  • The single quaver is now shown as separate from paired quavers (previously known as time names ti-ti) and having one flag.
  • A single semiquaver is shown, but it is unlikely that students will be expected to use this at this grade level. 

Creative movement

Students revisit a classic circle game.

Bluebells

  • Students take a partner and hold hands.
  • Lead the class in singing Bluebells.
  • Students should move their joined arms up and down to the beat.
  • On the first words, 'evee, ivee, over,' students turn back-to-back.
  • The second time those words are sung, students turn again to face each other.
  • Students must quickly find a new partner at the song's end, and the game recommences.

Listening

Students watch and listen to the Australian national Anthem.

Coutesy of the Melbourne Symphony Orchestra & Dami Im

Australian National Anthem

  • Play the video of the Melbourne Symphony Orchestra with vocalist Dami Im.
  • When the video is finished, ask students if they know the name of the music and its purpose.
  • Ask students what they felt when listening to the music and the singer.
  • Ask why the national anthem is important to many Australians.
  • Ask for other examples of where music is used for a purpose. Examples may include weddings, funerals, sports events, and concerts.
  • If time permits, play the video again and ask how many instruments students recognise.

 

Visual learning

Students determine the name of each note shown on the staff.

Name the note!

  • Project or print out the worksheet.
  • Begin by asking what is the name of the sign on each staff [treble clef].
  • Ask students to write the name of each note shown using a capital letter.
  • Remind students that a simple way to remember notes in spaces is to use the word FACE.
  • For notes that sit on lines, then the rhyme Every Good Boy Deserves Fruit (or similar) is helpful to remember. 
Apple walking

Instruments

Students play a simple song using the notes A & B.

The Recorder - A & B

  • Students should be familiar with the two notes learned thus far, A and B.
  • Remind students to use a good finger position for each note and the left thumb positioned appropriately.
  • Using a gentle tonguing technique, students should play the song. Remind students that the first and second measures have two crotchets (quarter notes) followed by a minim (half note).
  • The third measure has four crotchets, and the last measure has two minims.
  • Students should remember to count each beat in their heads, including those for rests.

Part work

Students and the teacher clap in canon.

Kids in circle clap

Rhythmic canons

  • Instruct the students to start clapping to the beat of a simple known song, like Bow Wow Wow.
  • After two beats, begin clapping in canon with your students.
  • When secure, reverse the roles, with students clapping in canon after two beats of a new song chosen by a student.

Assess

Suggested lessons

Y1. Beat II

 

 

Y1. Beat III

 

Y1. Beat IV

 

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