Y3. Lesson 19. Quaver followed by two semiquavers [ti-tika]

Overview

  • Students discover three sounds on a beat, with the first sound longer than the second two sounds.

Learning intention

By the end of this lesson, students will have:

  • Understood that three sounds on a beat, with the first longer than the following two, has a time name of ti-tika.

Success criteria

  • Students discover the time name ti-tika in a known song and recognise it through aural and visual activity.

Prior learning: None                                      

Duration: 30 minutes

Materials: Woodblocks or claves                

Keywords: Beat, rhythm, singing, chanting, partners, rhymes, circle games.       

Difficulty: 

Prepare

 

Present

ti-tika

Practise

 

Melodic development


Students add a new song to their ever-expanding repertoire.

Witchety Jamboree

  • Teach the song, line-by-line, in a measured cadence.
  • When secure, have the class sing without you and gently guide any student with difficulty.
  • Repeat, asking for another colour to replace the word purple.
  • When secure, ask the class what the song is about. Is it a nonsense song?
  • Ask if students have heard of a Witchety Grub and where they might be found.
A close-up photograph of a Witchetty Grub, also spelled Witchety or Witjubi. This photo was taken in Brisbane, Australia.

Rhythmic development

Students discover the time name for a quaver followed by two semiquavers.

Present ti-tika.

  • Students are seated.
  • Lead the class in singing the song and clapping the beat.
  • Using the first measure as a target phrase, ask how many beats are present [2].
  • Ask how many sounds are on the first beat [3] and whether the sounds are even or uneven [uneven].
  • Clap and describe these sounds as long and short. 
  • Clap and say 'long, short, short'.
  • Teach that when there are three sounds on a beat, the first is long, and the other two are short; the time name ti-tika is given.
  • The class should clap and repeat the phrase ti-ti-ka several times.
  • Sing and clap the time names of the first four measures, i.e., ti-tika, ti-ti, ti-ti, ta x 2.
  • Students should repeat after you.

Creative movement

Students practice movement and audiation in this upbeat classroom song.

Dr Cuskelly and Y3 students of St Joseph's

I've Got A Car

  • Lead the class in singing the song as students form a circle.
  • As they move, they sing and stamp to the beat. 
  • In the second part of the song, they stop and perform the following actions (or variations)

Actions

  • 'honk honk' - push horn out in front twice
  • 'rattle' - shake hands 
  • 'toot' - index finger on nose 
  • 'crash' - hand on forehead 
  • 'beep - pull ear lobe

Practice audition (keep actions)

1st time - sing the whole song
2nd time - leave out 'honk'
3rd time - leave out 'rattle'
4th time - leave out 'toot'
5th time - leave out 'crash'
6th time - leave out 'beep'
7th time - sing with all the words

Listening

Students listen and identify sounds with the time name ti-tika.

Identify ti-tika.

  • Explain to students that they will hear some notes from different instruments.
  • As musical detectives, they must discover whether each short piece of music contains the time name ti-tika.
  • Students must discover the time name if the music does not contain that name.
  • Play the first track. Ask if it contains ti-tika and which instrument is used.
  • Repeat for the other four tracks.
  • This is an excellent exercise for developing listening skills in rhythm.

Visual learning

Students use visual learning to write ti-tika.

Writing ti-tika

  • Project the simple graphic of ti-tika on the board.
  • Ask students to copy the pattern of one long note and two shorter notes in their notebooks.
  • Remind them they are writing a quaver attached to two semiquavers in traditional names.
  • Project the phrase in the score and ask students to copy the pattern.
Kids writing- hand up

Instruments

Students discover a traditional German folk song.

Recorder - Hänschen klein

  • This lesson builds on students' prior learning with the notes B, A, G, C and D.
  • This is a beautiful 19th-century German folk song.
  • Demonstrate how to play the song, drawing students' attention to the correct fingering and the use of gentle tonguing technique without squawking or overblowing.
  • Have students play the song at a moderate tempo and monitor their performance, timing and technique.
Recorder-1 copy

Part work

Students sing and clap an ostinato pattern.

Are You Sleeping [ostinato]

  • Clap the pattern ta, ta, ti-ti ta and have the class repeat with you.
  • Divide the class into two groups.
  • One group will clap the ostinato pattern, and the other will sing.
  • Lead the class in singing the song and clapping the ostinato.
  • When secure, swap the two groups.

Assess

Suggested lessons

Y1. Beat II

 

 

Y1. Beat III

 

Y1. Beat IV

 

Scroll to Top