Y3. Lesson 18. Practise Low so

Overview

  • Students deepen their understanding and practice the new note, low so.

Learning intention

By the end of this lesson, students will have:

  • Deepend their knowledge of low so, and where it is found on the staff.

Success criteria

  • Through singing and visual exercises, students successfully discover where low so is found.

Prior learning: Low so                                   

Duration: 30 minutes

Materials: Cowbells, Recorders          

Keywords: Beat, rhythm, singing, chanting, partners, rhymes, circle games.       

Difficulty: 

Prepare

 

Present

 

Practise

Low so

Melodic development

Students discover where low so is found in a known classroom song.

Old Brass Wagon [Circle To The Left]

  • Lead the class in singing the song.
  • When secure, sing the first measure and ask the class to repeat after you.
  • Ask where the lowest note is found in that measure.
  • Teach that this low note is called low so, a step below low la.
  • Project the score and point out low la and low so in the first measure.
  • Sing the song again with the class, pointing to low so on the board.
  • Ask how many times low so is found in the song [4].
  • Choose a student to sing the song and point to low so.
  • Ask students to sing and use hand signs.
Wagon

Rhythmic development

Students discover a cowbell from Ghana and the sounds it makes.

Featuring Sunday, from Hello Africa!
Cowbell and beater

Ogeme [Ghanaian cowbell]

  • Distribute cowbells (or similar instruments) to the class.
  • Play the video of the expert musician from Ghana explaining how the cowbell is used in his country.
  • Divide the class into three groups and demonstrate how to hold the cowbell and the beater.
  • The first group keeps a steady beat to a moderate tempo.
  • The second group will play an ostinato pattern, such as ta, ta, ti-ti, ta.
  • The third group will play a different ostinato pattern, such as ti-ti, ti-ti, ti-ti, ta.
  • Each group will practise separately until secure.
  • On your command, the first group begins, followed by the second and third groups. This might be a noisy exercise but a lot of fun!
  • Swap out the groups so every student plays at least two patterns.

Creative movement

Students form circles and sing a song in canon.

Dr Cuskelly and Y3 students of St Joseph's

Sally Go Round The Sun [canon]

  • Lead the class in singing the song with students in a circle.
  • Students will march around the circle, keeping time with their feet and singing.
  • When secure, form a second smaller group. This group will sing in canon, one measure after the larger group begins again.
  • When secure, create a third group who will sing in canon one measure after the second group.

Listening

Students improvise new lyrics after listening to a known classroom song. 

Improvise the lyrics

  • Project or print the worksheet.
  • Explain that you want the class to make up some new lyrics or words for Old Brass Wagon. 
  • Teach that this is called improvisation.
  • Sing the first verse and ask a volunteer to replace the word 'brass' with another one-syllable word.
  • The class should sing the verse with the new lyric.
  • In the second example, ask a volunteer to find two words to replace 'brass wagon'. The first word should be one syllable, and the second should have two syllables.
  • The class should sing the verse with the new lyrics.
  • In the third example, four short one-syllable words, such as 'look in the shed,' are needed. 
  • Repeat the process with as many volunteers as possible.
  • If the worksheet is printed, students should write their improvised lyrics on the sheet.

 

Visual learning

Students discover where to write low so.

Identify low so

  • Project or print the worksheet. Remind the class that low so is a skip and a step below do.
  • Teach that in every example, do is shown, and students must indicate where low so is to be found.
  • If projected, ask a volunteer to identify low so by coming forward and pointing to the correct line or space in each case.
  • If printed, students should draw the correct position of low so in every case.
Girl detective

Instruments

Students continue to explore new material for the recorder.

A

  • This lesson builds on students' prior learning with the notes B, A, G, C and D.
  • This is a beautiful melody from the great composer Beethoven.
  • This example is a simpler variation of the melody.
  • Demonstrate how to play the song, drawing students' attention to the correct fingering and the use of gentle tonguing technique without squawking or overblowing.
  • Have students play the song at a moderate tempo and monitor their performance, timing and technique.
Ludwig van Beethoven -  Picture from Meyers Lexicon books written in German language. Collection of 21 volumes published between 1905 and 1909.

Part work

Students sing and use body percussion for a song in 3-metre.

Oranges & Lemons [body percussion]

  • Lead the class in singing Oranges & Lemons.
  • Ask if the song is in 2-metre, 3-metre or 4-metre [3].
  • When secure, teach a body percussion pattern.
  • Examples might include:

"Oranges & [stamp, stamp, stamp]

lemons," said the [pat, pat, pat]

bells of St. [snap, snap, snap]

Clem-ents. "You [pat, pat, pat]

owe me five [stamp, stamp, stamp]

far - things," say the [pat, pat, pat]

bells of St. [snap, snap, snap]

Mart-ins. [stamp, stamp, stamp]

  • Any simple combination of body percussion elements will work in this first part work exercise in 3-metre.

Assess

Suggested lessons

Y1. Beat II

 

 

Y1. Beat III

 

Y1. Beat IV

 

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