Y2. Lesson 5. Practise the minim [too]

Overview

  • Students discover how the minim [too] is written.

Learning intention

By the end of this lesson, students will have:

  • Identified how the minim [too] is written on the staff.

Success criteria

  • Students demonstrate their understanding that the minim [too] comprises a notehead and a stem.

Prior learning: Minim [too]                                     

Duration: 30 minutes

Materials:               

Keywords: Beat, rhythm, singing, chanting, partners, rhymes, circle games.       

Difficulty: 

Prepare

 

Present

 

Practise

The minim [too]

Melodic development

Students answer how many notes are in the phrase sung by the teacher.

Dr James Cuskelly and students of St Joseph's School, Stanthorpe.

Good Morning [how many notes?]

  • Students are seated and attentive.
  • Sing Good Morning using a combination of between two and four pitches.
  • Ask the class how many sounds were present.
  • Ask for a show of hands for the answer, and students should respond with the correct number of pitches.
  • Sing again with a student's name and a different combination of pitches. The student should respond with the correct answer.
  • Ask the students how many sounds they heard.
  • Repeat with other students as time permits.

Rhythmic development

Students sight sing to two familiar classroom songs.

Sing the song!

  • Students are seated and attentive.
  • Project the first score and ask students the name of the song [See-Saw].
  • Sing the first two notes and ask again.
  • Receiving a correct answer, point to each note as you sing the song. 
  • Ask a student to come forward and point to each note as the class sings.
  • Ask the class to sing the solfa.
  • Then ask the class to sing the time names.
  • When secure, repeat the process with the second song [Bounce High].

Creative movement

Students sing and perform actions to the beat.

Dr James Cuskelly and students of St Joseph's School, Stanthorpe.

Bluebells [partners]

  • Students take a partner and hold hands.
  • Lead the class in singing Bluebells.
  • Students should move their joined arms up and down to the beat.
  • On the first words, 'evee, ivee, over,' students turn back-to-back.
  • The second time those words are sung, students turn again to face each other.
  • Students must quickly find a new partner at the song's end, and the game recommences.

Listening

Students discover more about this famous piece of music.

In The Hall Of The Mountain King

  • Students should have heard this piece from prior lessons.
  • Play the music on the player and stop after a few seconds.
  • Ask students the name of the music and who composed it.
  • Ask the class to sing the rhythm pattern using ta, ti-ti and za time names.
  • Ask the class about the loudness and softness of the music. What happened during the song [it became louder and louder].
  • Ask the class about the tempo of the song. Did it change? [It became faster and faster].
  • Did the music get higher or lower in pitch from the beginning?

 

Visual learning

Students discover how to write the minim [too] using both stick and traditional notation.

Minim1200

Here Comes A Magpie [phrase 2]

  • Project the graphic on the board.
  • Lead the class in singing Here Comes A Magpie.
  • Sing the second phrase, pointing to each note in turn on the board.
  • Ask students which symbol on the board lasts for two beats.
  • Remind students that a note lasting for two beats has a time name, too.
  • Draw the minim [too], explaining that it consists of an empty notehead with a stem.
  • Explain that the second phrase is written on the top line using stick notation and on the bottom line with traditional notation.
  • Ask students to write the phrase in their notebooks.

Instruments

Students discover how to play a known classroom song using tuned percussion.

Twinkle Twinkle [Glockenspiel & Marimba]

  • Distribute glockenspiels and marimbas (or similar classroom instruments) and divide the class into two groups.
  • Teach the first phrase on the glockenspiel and ask the group with that instrument to copy you.
  • Teach the first phrase on the marimba and ask the group with that instrument to copy you.
  • When secure ask both groups to play on your command and conduct the class.
  • Repeat the process with the next phrases, and use your judgment on how far or how fast the class is progressing.
  • This exercise may take two or more learning periods to become secure.

Part work

Students use an ostinato pattern and hand signs.

Lucy Locket [hand signs & ostinato]

  • Divide the class into two groups.
  • Write an ostinato pattern on the board [example given].
  • Group 1 sings Bell Horses with solfège syllables and hand signs, and Group 2 taps a rhythmic ostinato that is read from notation.
  • When secure, swap the two groups around.

 

Students section

Hey kids 1000

Assess

Suggested lessons

Y1. Beat II

 

 

Y1. Beat III

 

Y1. Beat IV

 

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