Y2. Lesson 24. Inner hearing

Overview

  • Students use inner hearing (audiation) to reconstruct incomplete melodic phrases and rhythmic patterns.

Learning intention

By the end of this lesson, students will have:

  • Reinforce earlier inner hearing abilities by completing melodic and rhythmic patterns.

Success criteria

  • Students successfully demonstrate their inner hearing abilities on known materials.

Prior learning: Inner hearing                              

Duration: 30 minutes

Materials: Woodblocks or claves                

Keywords: Beat, rhythm, singing, chanting, partners, rhymes, circle games.       

Difficulty: 

Prepare

Melodic canon

Present

Inner hearing

Practise

 

Inner hearing, or audiation, is a vital skill in music education. It allows students to mentally grasp musical elements like pitch and rhythm, aiding in sight-reading, memorisation, and improvisation. This skill deepens musical understanding, making it essential for aspiring musicians, enhancing their ability to compose, interpret, and appreciate music.

Melodic development

Students add a new song to their repertoire.

1, 2, 3, 4, 5

  • Hold up your right hand, fingers extended.
  • Sing and count the fingers from one to five using your left hand.
  • When you sing "Once I caught a fish alive," make a catching motion with your hands.
  • For "Six, seven, eight, nine, ten," count those fingers as well.
  • On "Then I let it go again," release your hand as if letting the fish go.
  • For "Why did you let it go?" shrug your shoulders.
  • When you sing "Because it bit my finger so," pretend that your right-hand pinky (the little finger on the right) was bitten and shake it.
  • Finally, when you sing "Which finger did it bite?" point to your right-hand pinky.
  • This song entertains students and helps with counting and fine motor skills.

Rhythmic development

Students listen to clapped rhythm syllables to discover the name of a song.

Clap the song

  • Students are seated and attentive.
  • Teach that inner hearing, or head voice, allows musicians to hear melodies or rhythms in their heads.
  • Inform students that you will clap the first part of a song's rhythm, and they must finish the pattern by clapping.
  • Begin by clapping the first pattern [Big Black Train].
  • Then, ask students to copy you. 
  • Students must then name the song and clap the rest of the song's rhythm. Give hints if necessary.
  • Repeat for the second pattern [Bluebells], the third pattern [Twinkle Twinkle] and the last [Apple Tree].

Creative movement

Students have fun in this classic circle game.

London Bridge Is Falling Down

  • Two students stand facing each other, raising their hands to create an arch.
  • The remaining students walk, one by one, under the arch, forming a circle as they go.
  • This circle of students continues to move under the arch sequentially.
  • In the final word of the verse, "My fair lady," the two students make the arch swiftly lower their hands to capture one child beneath them.
  • The game continues until each student has been captured, making it an engaging and fun activity for all participants.

Lyrics

  1. London Bridge is falling down
    Falling down, falling down
    London Bridge is falling down
    My fair lady
  2. Build it up with iron bars...
  3. Iron bars will bend and break...
  4. Build it up with gold and silver...
  5. Gold and silver, we've not got...
  6. London Bridge is falling down...

 

Listening

Students use inner hearing to identify songs.

Listening

Inner hearing

  • Students are seated and attentive.
  • Begin by humming the first few bars of a known song.
  • Ask the class to identify the song.
  • Once the song is correctly identified, ask the class to hum with you from the beginning.
  • Repeat the procedure with another song perhaps in increasing difficulty.
  • Ask a volunteer to come forward and hum a few bars of a song and have the class identify and sing back.
  • These exercises are excellent in developing inner hearing.

 

Visual learning

Students respond to the teacher's hand signs and use inner hearing to discover the song.

Inner hearing from hand signs

  • Explain to the class that they are once again music detectives.
  • Their mission is to discover a song from your hand signs using inner hearing.
  • Begin with a simple song, such as Snail Snail and silently show the hand signs for the song [so-mi, so-so mi, so-so la-la, so-so, mi].
  • Ask for answers, and on receiving one, ask the students to sing the song and use hand signs as they do so.
  • Repeat the procedure with another simple song, such as Bounce High.
  • Repeat with songs in increasing complexity as time permits.

Instruments

Students discover how to play Bell Horses on tuned percussion.

Bell Horses [Orff]

  • Divide the class into two groups, one group will use glockenspiels and the other xylophones or similar instruments.
  • Teach the melody of Bell Horses to the first group using a good mallet technique.
  • When secure, teach the accompaniment to the second group.
  • When secure, lead both groups to play together and conduct whilst monitoring class progress.
  • This exercise may take more than one learning period to master.
Horse

Part work

Students 

Sleeping boy

Are You Sleeping? [canon]

  • Divide the class into two groups.
  • Explain that everyone will sing Are You Sleeping, with one-half of the class singing in canon.
  • Remind students about the term canon.
  • Begin by asking the first group to sing, then lead the second group in singing after two beats.
  • As this song uses the pentatonic scale, the resulting canon should sound musical (depending on students' abilities).
  • When secure, swap out the two groups and repeat.

Assess

Suggested lessons

Y1. Beat II

 

 

Y1. Beat III

 

Y1. Beat IV

 

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