Y2. Lesson 10. Texture - one sound or many sounds?

Overview

  • Students discover that texture in music may consist of one or more instruments or voices playing simultaneously.

Learning intention

By the end of this lesson, students will have:

  • Identified that music may have a thick or a thin texture, depending on the number of instruments or voices.

Success criteria

  • Students demonstrate their understanding of texture in music by listening and responding.

Prior learning: Thick or thin?                                    

Duration: 30 minutes

Materials:             

Keywords: Beat, rhythm, singing, chanting, partners, rhymes, circle games.       

Difficulty: 

Prepare

 

Present

Texture - One sound or many sounds?

Practise

 

Melodic development

Students listen to music and discover if the music is thick or thin.

One sound or many sounds?

  • Teach that texture in music refers to how many layers of sound are used to create the music.
  • In simple terms, texture may be described as thick, with many layers, or thin, with a few layers.
  • In the examples on the audio player, there are two songs - each has a version that may be described as thin and the other thick.
  • Play each one to the class and ask whether the texture is thick or thin.

Rhythmic development

Students sing and clap in an ostinato pattern.

Dr James Cuskelly and students of St Joseph's School, Stanthorpe.

Big Black Train [Ostinato]

  • Students are seated and attentive.
  • Demonstrate a simple clapped ostinato pattern such as ti-ti, ta.
  • Explain that the class will sing Big Black Train and clap the ostinato pattern.
  • Lead the class in singing and clapping the ostinato.
  • When secure, choose a student to come forward and perform the ostinato and sing.
  • Offer praise and gentle guidance if required.
  • Repeat with as many individual students as time permits.

Creative movement

Students practise gross locomotor skills by bouncing a ball in time to the beat.

Dr James Cuskelly and students of St Joseph's School, Stanthorpe.

Bounce High [ball]

  • Students form a circle.
  • Have a soft ball ready and stand in the middle of the circle.
  • Lead the class in singing Bounce High and gently throw the ball to a student in time with the beat.
  • The student should throw the ball back, and you will (hopefully) catch it and throw it to another student.
  • This is a great exercise to develop gross locomotor skills.

Listening

Students listen to an excerpt from 'Spring' by Antonio Vivaldi as an example of texture in art music.

Questions

  1. If the music is softer, which word is used? [piano]
  2. If the music is louder, which word is used? [forte]

 

Texture in art music

  • Students are seated and attentive.
  • Explain that the class will listen to a short piece of music written long ago by an Italian composer called Antonio Vivaldi.
  • Teach that the music starts with a thick texture, with many string instruments playing.
  • The music then becomes quieter, and the texture is a little thinner. 
  • Finally, the texture becomes very thin as the number of string instruments is very small.

 

Visual learning

Students discover texture through visual representations.

Thick or thin?

  • Project the graphic showing jars of lollies.
  • Explain students should imagine the first jar, with only a few lollies, is a thin texture. Music with only one or two layers has a thin texture.
  • The second jar is half full, and students should imagine this represents a texture that is halfway between thin and thick.
  • The last jar is full of lollies, and it can be imagined that this would be a thick texture with many layers.
  • The same process can be used to describe music texture using pizza as an example.
  • The first pizza only has one topping, so this could represent a thin texture, with the last pizza having many toppings representing a thick texture with many layers.

Instruments

Students play Big Black Train using tuned percussion.

Big Black Train [Orff]

  • Divide the class into two groups, one group will use glockenspiels and the other marimbas or similar instruments.
  • Teach the melody of Big Black Train to the first group, using a good mallet technique.
  • When secure, teach the accompaniment to the second group.
  • When secure, lead both groups to play together and conduct whilst monitoring class progress.
  • This exercise may take more than one learning period to master.
Big black train

Part work

Students walk to the beat of a song and stop at the teacher's command.

Dr James Cuskelly and students of St Joseph's School, Stanthorpe.

Walk And You Walk

  • Students spread out across the room.
  • Begin singing Walk, And You Walk as students walk to the beat through the classroom.
  • On your command of "stop!" students must freeze.
  • Any student who moves after your command is 'out'.
  • This applies to any student not singing as they walk.
  • The game continues until everyone is 'out' or ends due to time constraints.

Students section

Hey kids 1000

Assess

Suggested lessons

Y1. Beat II

 

 

Y1. Beat III

 

Y1. Beat IV

 

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