Y1. Lesson 7. High & low sounds

Overview

  • Students use their voices to identify the terms high and low and how they apply to music. They explore high and low sounds through listening and performing. 

Learning intention

By the end of this lesson, students will have:

  • Distinguished between high and low sounds.
  • Aurally identified sounds that are high and low.

Success criteria

  • Students correctly recognised high and low sounds in a known song using their singing voices.

Prior learning: None                                       

Duration: 30 minutes

Materials:               

Keywords: Beat, rhythm, singing, chanting, partners, rhymes, circle games.       

Difficulty: 

Prepare

ta & ti-ti

Present

High & low sounds

Practise

Loud & soft, beat

Melodic development

Students use arm movements to demonstrate melodic contour as they sing notes an octave apart. 

Questions

  1. How can you show a high note?
  2. How can you show a low note?
  3. What about a note that is neither high or low?
Boy sing

I Can Sing High

  • Teach that some sounds are high, others are low, and some are in the middle.
  • Students should be seated on the floor and copy your actions with their hands to match your singing.
  • Sing the song to the class line-by-line in a gentle voice.
  • Students will sing two notes, an octave apart, followed by a fifth.
  • Raise your arm high when the melody is high, low when the melody is low, and in the middle when you sing, "Now I'm in the middle, and I don't know where to go."
  • When students are familiar with the song, they should sing and use hand movements to follow the melodic contour.
  • Individual students are selected to come to the front and follow your hand movements as they sing.

Rhythmic development

In this seated circle game, students keep a steady beat by patting their knees and reciting a rhyme.

My father was a butcher,

My mother cut the meat.

But I’m a little hot dog,

And I run down the street!

My Father Was A Butcher

  • Ask the class to form a circle.
  • Teach the rhyme line-by-line using a slow measured cadence and keeping a steady beat.
  • Students should repeat each line after you.
  • When secure, a student is chosen to walk around the circle to the rhyme.
  • At the end of the rhyme, they tap a classmate on the head, and that student gets up and walks quickly around the outer of the circle, trying to catch up to the classmate that tagged them.
  • All other seated students pat their knees to the beat.
  • The object of the game is to have the child who tagged their fellow student to be “it” catch their classmate before they return to the gap within the circle where they were previously sitting.

Creative movement

Students discover they can use different words in a song.

Hey Hey Look At Me!

  • Students are seated and attentive. Sing the melody using a neutral syllable and ask the class to repeat after you.
  • When secure, teach the lyrics line-by-line in a measured cadence and ask the class to repeat after you.
  • Ensure that students keep the beat.
  • Ask the class to find a new word to replace 'clapping'. Answers may include dancing, hopping, moving, jumping, etc.
  • Repeat the song with the new word.

Questions

  1. How many different sounds did you use in the song? [Two]
  2. Did the song start on a low or high sound?
  3. How can we show a high or low sound?

Listening

Students listen to a selection of sounds and determine whether they are high or low.

High and low sounds

  • Students are seated and attentive.
  • Explain to students that they must listen and discover if the sound they hear is high or low.
  • Note: Each audio file comprises high sounds and low sounds.
  • Students should touch their heads for a high sound and their shoulders for a low sound. 
  • Ask students what instrument is playing the sound.

Visual learning

Students use visual icons to keep the beat as they sing and point.

Apple Tree

  • Project the beat icons.
  • Students are seated and attentive
  • Sing the song with the class, pointing to each icon on the beat.
  • Students should keep the beat on their knees, shoulders or heads.
  • When secure, ask a volunteer to point as the class sings.
  • Repeat as time permits.
  • This exercise reinforces students' development of beat by using visual cues.

Instruments

Students begin to unconsciously differentiate between beat and rhythm.

Engine Engine

  • Arrange woodblocks, claves (or any suitable untuned percussion instruments), and beaters.
  • Instruct the class that they will chant Engine Engine with you.
  • Ask for a volunteer and instruct them how to hold the beater and woodblock correctly.
  • Begin singing, and the student keeps the beat with a woodblock.
  • The class should sing again, with another volunteer keeping the beat on the block.
  • Assess their performance for accuracy and time-keeping and offer guidance as necessary.
  • Ask for another volunteer and repeat as time permits.
  • Tell the class you will play how the words go on the clave.
  • The class should sing again as you play the rhythm on the clave.
  • Choose a student to join you in keeping the rhythm.

Part work

Students experiment with high and low sounds using their voices.

Dr James Cuskelly and students of St Joseph's School, Stanthorpe.

Voices in the Elevator

  • Teach that high sounds are shown with arms up high and low sounds with arms down low.
  • The class is seated. Explain that students will put their voices in an elevator, making the sound higher or lower.
  • Lead the class in singing 'ooh', ' ahh', or other neutral syllables.
  • As you do so, raise your arms up and down according to the pitch.
  • Students must follow your actions as they copy your voice moving up and down.
  • This is an excellent warm-up exercise for students to start the singing component of the lessons.

Assess

Suggested lessons

Y1. Beat II

 

 

Y1. Beat III

 

Y1. Beat IV

 

Scroll to Top