Y1. Lesson 4. Tempo

Overview

  • Students are presented with the term tempo and experience it through singing and kinaesthetic activities.

Learning intention

By the end of this lesson, students will have:

  • Identified tempo and responded to different tempos through singing and creative movement.

Success criteria

  • Students are secure with the term tempo and respond creatively to varying tempos.

Prior learning: Beat                                       

Duration: 30 minutes

Materials: Soft, bouncy ball. Untuned percussion.          

Keywords: Beat, tempo, singing, chanting, partners, rhymes, circle games.       

Difficulty: 

Prepare

ta & ti-ti

Present

Tempo

Practise

Fast & slow, Beat

Explain to students that musicians use a special word called tempo to describe whether music should be faster or slower. A fast tempo means the music should be faster, and a slow tempo means the music should be slower.

Melodic development

Students discover a classic classroom song.

Questions

  1. Did you prefer the song to be sung faster or slower?
  2. What is your favourite playground activity?

 

See-Saw

  • The class is seated and attentive.
  • Sing the lyrics on a neutral syllable the first time.
  • For the second time, pretend to seesaw up and down as you teach the lyrics.
  • The class should respond, singing the lyrics.
  • When secure, tell students that now they will sing quickly.
  • Finally, tell students that now they will sing slowly.

Rhythmic development

Students investigate counting backwards in twos while chanting a rhyme.

Ten Fat Sausages, sizzling in the pan, [hold up ten fingers]

One went pop, [make a pop sound by pulling your finger out of your mouth]

and the other went ‘bang’! [make a loud clap and pause...]

Eight fat sausages...etc. [hold up eight fingers]

Six fat sausages...etc. [hold up six fingers]

Four fat sausages...etc. [hold up four fingers]

Two fat sausages...etc. [hold up two fingers]

No more sausages,

Sizzling in the pan,

They all went went ‘bang’,

‘bang’, ‘bang’ ‘bang!'

 

Ten Fat Sausages

  • Students learn to skip backwards in twos.
  • Teach the rhyme to the class seated on the floor. Speak in a measured cadence to keep the beat.
  • This is a great fingerplay rhyme for cross-curriculum teaching, as students practise counting backwards.
  • After saying '...the other went bang!" stop and ask the class how many sausages there should be left in the pan.
  • Ask a student to come forward and recite a verse. Hold up your fingers for the correct number of sausages as they do so.

 

 

 

Creative movement

Students bounce a ball to the teacher in time with the beat.

Ball II

Questions

  1. Could this game be played at a very slow tempo? If not, why not?
  2. Could this game be played at a very fast tempo? If not, why not?

 

Bounce High

  • Have a large soft, bouncy ball available.
  • Arrange the students in a circle.
  • Take a position in the centre and lead the class in singing to the beat. The tempo should be moderate.
  • On each count of the beat, bounce the ball to a student, who then returns it on the subsequent beat (most beats coincide with the word "bounce").
  • Commence with a single student and progress sequentially through the circle while reiterating the song (additionally emphasising the importance of self-restraint and avoiding excessively high bounces).
  • Upon completing the circle, you may randomly throw the ball to students, creating a sense of anticipation and heightened engagement.

Listening

Students listen to music with a very fast tempo and keep the beat by clapping.

Questions

  1. What would happen if a bee flew too slowly?
  2. What other insects fly at a fast tempo?
  3. What about insects that move at a slow tempo?

 

Flight of the Bumblebee

  • Students are spread out in the room, with enough space between them to be able to move in a creative fashion.
  • Explain to the class that they will hear a piece of music with a very fast tempo.
  • Tell students that the music tells the story of a bumblebee flying very quickly.
  • The story is that a prince is transformed into a bee by a magical swan. This is done so the prince can fly to visit his father, who does not know that his son is still alive
  • Play the track on the audio player and ask students to become bees. They may move quickly on the spot, moving their arms like wings or clapping to the beat.

Visual learning

Students respond to visual icons to practise beat.

Engine Engine

  • Project the beat icons.
  • Students are seated and attentive
  • Sing the song with the class, pointing to each icon on the beat.
  • Students should keep the beat on their knees, shoulders or heads.
  • When secure, ask a volunteer to point as the class sings.
  • Repeat as time permits.
  • This exercise reinforces students' development of beat by using visual cues.

 

Instruments

Students discover how to play the beat of a song using untuned percussion.

See-Saw

  • Have a selection of untuned percussion instruments on your desk. These might include woodblocks, claves, cabasas, tambourines, hand drums, etc.
  • Invite pairs of students to come forward and give them an instrument.
  • Show them how to hold the instrument safely and make a clear sound.
  • Instigate a beat by singing See-Saw and ask the students to sing with you and keep in time.
  • When secure, explain that now you will play the way the words go.
  • Play the rhythm of the words on your instrument. Do not use the word rhythm.
  • Ask a volunteer to play the way the words go on an instrument.
  • Vary the tempo of the piece by asking students whether the song should have a faster or slower tempo each time.
  • Assess performances and provide gentle feedback.
  • Rotate so every student can play an instrument.

Part work

The teacher presents the term tempo to students.

Dr James Cuskelly and students of St Joseph's School, Stanthorpe

Questions

  1. Where else could you keep the beat apart from your knees?
  2. What happens to the beat with a faster tempo?
  3. What happens to the beat with a slower tempo?

Feet Feet

  • Students are seated and attentive.
  • Begin by explaining that musicians use a special word called tempo to describe whether music should be faster or slower. A fast tempo means the music should be faster, and a slow tempo means the music should be slower.
  • Begin the chant by keeping a steady beat.
  • Students should join in and keep the beat on their laps.
  • Ask a student to come forward and ask them to lead the class at a slower tempo. Ask them to put the words in their head.
  • Help them show a slower tempo by putting the beat on your knees and indicating they should follow you.
  • The chosen student then leads the class chanting at a slower tempo than before.
  • Choose another student and ask them to lead the class at a faster tempo, using the same process.
  • Repeat as time permits.

Video I

Students learn more about things that move faster or slower.

Assess

Suggested lessons

Y1. Beat II

 

 

Y1. Beat III

 

Y1. Beat IV

 

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